Hip Hop Music Hip hop music is related to the griots of West Africa; traveling singers and poets whose musical style is reminiscent of hip hop. Some griot traditions came with slaves to the New World. The most important direct influence on the creation of hip hop music is the Jamaican style called dub, which arose in the 1960s. Dub musicians such as King Tubby isolated percussion breaks because dancers at clubs (sound systems) preferred the energetic rhythms of the often-short breaks. Soon, performers began speaking in sync with these rhythms. In 1967, Jamaican immigrants such as DJ Kool Herc brought dub to New York City, where it evolved into hip hop. In Jamaica, dub music has diversified into genres like ragga and dancehall. DJ Kool HercHerc was one of the most popular DJs
in early 70s New York, playing at neighborhood
parties (his first gig was on Sedgewick Avenue,
Bronx) (block parties), and he quickly switched from
using reggae records to funk, rock and disco, since
the New York audience did not particularly like
reggae. Herc and other DJs extended the percussive
breaks using an audio mixer and two records, and
other mixing techniques soon developed. Performers
spoke while the music played; these were originally
called MCs (Master of Ceremonies or Mic Controller)
and, later, rappers. These early rappers focused on
introducing themselves and others in the audience,
with some improvisation and a simple four-count
beat, along with a simple chorus. Later MCs added
more complex lyrics, often humorous, and
incorporated sexual themes. By the end of the 1970s,
hip hop music was beginning to become a major
commercial and artistic force and had spread
throughout the United States. During the 1980s and
1990s, hip hop gradually became mainstream (a
transition usually considered to have been completed
in 1992) in the US and, to a lesser degree,
worldwide. Who were the first Rappers? Why did people start scratching records? Where did Rap start? Whodini, the treacherous three, and the fat boys, Kurtis Blow The Father of the Scratch Grand Master Flash.All of this was going on in the late late 70's and the early 80's Graffiti art DJing DJing (turntablism) in hip hop refers to the art of an individual performing various forms of cutting, scratching, body tricks, needle drops, and blends between two albums on separate turntables. Two turntables, are hooked to a receiver, an amplifier, speakers, a mixer (or fader) and various other pieces of electronic music equipment. The DJ will then perform various tricks between the two albums currently in rotation using the above listed methods. The result is a very unique sound created by the seemingly combined sound of two separate songs into one song. A DJ should not be confused with a producer of a music track. Famous DJs are Grandmaster Flash, Mr. Magic, DJ Jazzy Jeff, DJ Scratch from EPMD, DJ Premier from Gang Starr, DJ Miz, DJ Muggs from Cyprus Hill, Tony Touch, and DJ Clue. As far as the hip hop culture, DJs are the first element. There wasn't always rap music. MCs used to complement the DJ, getting the crowd into the DJ's mix. Hip hop used to be about expressing yourself and above all, getting your audience to dance. Lately the rap world has gone away from how things were in the beginning of hip hop, and MCs are now only known as rappers, forgetting that DJs are the reason MCs were first brought to the map. This disillusionment with the culture is what led DJs to explore the art of spinning records, which led to the whole turntablist scene. Breakdancing Breakdancing, known formally as B-boying or B-girling by its practitioners and followers, is a dynamic style of dance that is part of Hip Hop culture and emerged out of the Hip-Hop movement in the South Bronx of New York City during the late 20th century. Breakdancing is one of the many elements of Hip Hop culture. Commonly associated with, but distinct from, "Popping", which is one element of the Funk Styles that evolved independently in California during the late 20th century. It was common during the 1980s to see groups of people in a playground, basketball court, or sidewalk with a radio performing breakdancing shows for a large audience. There is some speculation that breakdancing stems from the Capoeira form of dancing/martial arts which was developed by the slaves during the slavery period in Brazil. Battling Battling is the term in hip hop used when two MCs conduct verbal combat against each other. The purpose of battling is for both MCs to try to diminish each others lyrical "skill" and gain favor of the crowd or audience. The level of crowd impression with a particular lyricist is determined by various forms of lyrical delivery, skill, insults and their ability to "move the crowd". The crowd meanwhile reacts with gestures such as "oohs" and "aahs", response to the lyricists "requests" or an ovation at the end of a battling session. The crowd then determines who is the better lyricist thus giving the lyricist recognition and increased confidence to engage in, and win more battles. Most "true" battles occur in various underground hip hop clubs, or even a simple place such as a street corner, these events are usually fixed contests. More well known "battle" MCs such as Canibus may go public with a battle on the radio or produce a "diss" record and call out their potential opponent. This can be done by disrespecting their lyrical skill, subject matter, or just plain not liking the person. Most public battles are publicity events used to gain exposure and acquire more fans, unfortunately some lyricist cross a personal line when battling and what was once fun leads to physical confrontation. Now days this personal line is being crossed frequently and with a great amount of cruelty. Many argue that this part of Hip Hop has "gone too far" and as the rapper Nas said, "No women and children involved". Others feel that this is all a part of hip-hop. When a mc battles another, he wants to say anything that will make the crowd react. Even if it involves the other MC's mother or children. It may not be something personal that one may have against the other; both are simply just trying to win the battle. Beatboxing Beatboxing, considered by many to be the 'fifth element,' is the vocal percussion of hip hop culture. It is primarily concerned with the art of creating beats, rhythms, and melodies using the human mouth. Beatboxing is hip hop's vocal percussion whose early pioneers include Doug E Fresh, Biz Markie, and Buffy from the Fat Boys. The term 'beatboxing' is derived from the mimicry of the first generation of drum machines, then known as beatboxes. The art form enjoyed a strong presence in the 80s. Beatboxing declined in popularity along with breakdancing in the late 80s, and almost slipped even deeper than the underground. Beatboxing has been enjoying a resurgence since the late 90s, marked by the release of Rahzel's "Make the Music 2000." The internet has greatly aided the rebirth of modern beatboxing--on a global level never seen before--with thousands of beatboxers from over a dozen countries interacting on UK's Humanbeatbox.com. The art form has radically evolved, extending its reach to include physical theater routines, and has integrated itself into hip hop (and other forms) of theater. |
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